My latest cover illustration is designed to foldout from the cover of the printed report.
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This little old lady had a lot of personality, down to her slightly off-kilter gaze. For such a small creature, she had an enormous presence and I can only hope that I captured a fraction of her charm.
Curious how Jasmine was drawn? Learn More>>
When you receive an inquiry asking if you'd be interested in creating a Star Wars / Dukes of Hazzard mashup based on the original Star Wars poster for a renowned neighborhood theatre, the answer is an unequivocal "yes".
I created the poster art for an upcoming production of "Lawrenceburg" at Dad's Garage Theatre in Atlanta. The show runs from Sept. 7 through Oct. 13, 2018.
After three solid months of production, hundreds of hours, and many bleary-eyed nights this project can be unveiled.
2 complete cover concepts and illustrations (version 2)
3 design layouts
7 full page illustrations
18 spot illustrations
4 page variations for stack
2 color variations
16x9 web image
prepping dozens of artwork/files
many dozens of rounds of revisions for all of the above
Application Security Tiers and Attackers
Chapter & Section Artwork
Introduction Layout and Design
Sooner or later, if you create commercial art, you'll have your best work rejected by committee. It's part of the job. This is one of those projects. I'll be going back to the drawing board, but I wanted to share this work as is.
I'm very proud of this solution – It represents some of the smartest conceptual work I've ever done.
I was tasked with "updating" the following graphic. This graphic is the foundational concept behind my client's entire business. In other words, it's been used to sell their services for years.
At first glance, there seems to be a lot of information being presented. What you don't see is any real clue describing what's happening. Without the assistance of paragraphs of text or a salesperson, the viewer is left to their own devices to derive any meaning.
The application "stack" is represented by icons that tell the viewer very little. And the accompanying text identifiers are equally amorphous.
You'll also note a variety of graphic elements that are meant to clue the viewer in to a larger idea, but all of these elements largely fail to create a cohesive visual narrative for anyone trying to decipher the graphic.
The solution I arrived at solves these issues — I created visual metaphors that accurately depict what literally happens at each tier. The simplicity of the imagery and design affords a viewer with no prior knowledge of the basic concepts a means of "creating" a narrative for themselves without the help of accompanying text.
The "isometric" grid underlying this illustration helps create a plane for the tiers. I added flags at each level to help draw the users eye through the entire illustration. Once the basic art was created, I made a few slight adjustments to accommodate the text for the next two graphics.
Overall, this is a highly successful piece. That it was a casualty of "committee" is just a consequence of opinion. It happens.
Stay tuned for the next version.
The latest latest illustration for F5 Labs IoT Report.
[From the report] "The world is just now catching onto how useful IoT devices are; the industry is in its startup phase just scratching the surface of its future potential. If you follow the “diffusion of innovations” theory, we haven’t yet crossed the chasm of IoT potential, or mainstream global market adoption.
The cell phone is the only IoT device type that has hit the mainstream market with adoption rates past 50% of the global population. When the majority of the world is online, smart homes with dozens of internet enabled devices and smart cities will be everywhere instead of only in the hands of the early adopters. At that point, IoT thingbots could threaten global stability if we don’t start doing something about it now."
Full Version and Cover Version
Pencil drawing presented to F5 for concept approval.
In the words of owner and developer Justin Shattuck, Loryka is "a platform and data pipeline that allows researchers to gain insights into the attacks we see [on the web]." His platform is revolutionizing the web security industry and I was entrusted to help design a logo that captured the essence of his vision.
The name Loryka is derived from the word "lorica", which is a specific type of Roman armor that incorporated an overlapping lattice of metalwork. My initial attempts to design a logo took this concept head on. And failed.
After a few more discussions with Justin, he described his business as "a company that is taking PH readings of the soil." He went on to describe a data tool that didn't just look at the forest, but looked into the forest through a microscope to see the smallest ant on a leaf.
After numerous versions, I hit upon the idea of incorporating a few different elements 1) a PH color scale 2) a diminishing circle of dots representing the "data" cycle of life and 3) slightly overlapping letters to hint at the idea of armor and "connection".
Revisions are a part of any job. And sometimes you wind up doing a few rounds of major edits to arrive at a solution that matches the changing vision of your client. This "quick" project went through four rounds of substantial revisions before the final piece was approved — a handy lesson in streamlining your process to make changes as painless as possible.
The evolution of this artwork
Last year, at the 2017 PEERS Conference, I floated the idea of updating the installer illustration for Craft CMS 3 to the head honcho and resident genius at Pixel & Tonic, Mr. Brandon Kelly. In addition to the fact that his karaoke skills will instantly remind you of an angrier, out-of-tune Henry Rollins from Black Flag, he's also a fan of good-ish drawering skills. I'd illustrated the installer screen for Craft CMS 1 years ago and it seemed to me that the impending release of the biggest update to his flagship product might be the perfect opportunity to update the installer artwork. A few months later, Brandon gave me a call.
Conceptually, he and his team wanted to explore the idea of "inclusivity" without getting too far into the weeds about how to broach a very touchy topic visually and do so without offending an equally touchy group of people (Please note: These are my words, not his ... But it's still 100% true. Deal with it). We eventually landed on the idea of exploring inclusivity through the locations where Craft CMS is being used around the world. Which, once again, brought up the specter of dealing with race and gender and all the baggage that comes along with that topic. It needed to be avoided like Coldplay. The question was how? The initial idea was to focus on landmarks from countries around the world which would have been interesting, but I concluded that the resulting illustration would have felt more like a travel advertisement than a representation of Craft.
After putting the concept through my brain's spin cycle, I expanded on the idea exponentially by including landmarks, mythical beasts and creatures from folklore, foods, and representative objects from specific countries. You'll also find a random assortment of web and nerd references to help round out the illustration for the tech crowd. The resulting piece is straight-up fun and successfully represents "inclusivity" without stepping on any social land mines.
I created three different versions of the center area that literally plug into the open space to accommodate potential uses:
In all, twenty-three countries and locations are represented (objects vary based on center art):
NYC - Lady Liberty, pizza
PNW (Seattle, Portland, Bend) - Sasquatch, pint glass, hop bud
SF - San Francisco is a city
UK - London Bridge
Germany - pretzel, brat on fork, beer
India - Airavata
Australia - Rainbow Serpent, boomarang
South Africa - flower with mountain graphic from national symbol
Canada eh - bacon, hockey stick
France - Eiffel Tower
Netherlands - wooden shoe, tulips, cheese
China - Chinese dragon
Spain - bull, olives, tomato
Singapore - lion fish
Japan - Kasa Obake, koi
Indonesia - flower, palm tree
Ireland - shamrock, pint glass
Norway - Viking helmet
Poland - brat, beer, bull (nothing unique about Poland's symbology)
Russia - Baba Yaga
Italy - wine bottle, wine glasses, olives, grapes
Saudi Arabia - dual swords from national symbol
Middle East - Bahamut
Nerds - Starship Enterprise, propeller beanie, alien ship
Bunch of other random and tech/web-related stuff
I had a blast creating this piece for Craft 3. It goes without saying that good people deserve good art.
Thanks, Brandon and team Pixel & Tonic!